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As Paula Jones suffered the consequences of her media attention, she was forced past her sexual boundaries by posing for Penthouse, desperate for money, in what felt like twisted repayment for speaking up about the first time she found her boundaries crossed. She gave her character sweetness, silliness, and naivete that felt hopeful rather than unthinking or sheltered as the characters and world around her seemed to perceive it.Īshford gave Jones a charm and watchability that earned where the plot took her in the season finale. Ashford’s performance fleshed out a woman who was repeatedly, relentlessly taken advantage of and connected viewers to her all-too-relatable plight. Those who paid any attention to the Clinton-Lewinsky scandal as it played out in real time knew of Paula Jones but didn’t have much, if any, insight into how the scandal affected her. Tony Award winner and American Crime Story Season 2 alum Annaleigh Ashford brought heart, comedy, and dimension to another character whose real, complex personality was never revealed by the media. RELATED: Why 'Impeachment: American Crime Story' Showrunner Sarah Burgess Wanted to Focus On Linda Tripp's Point-of-View
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This made the moment when Monica turned against him, all but admitting to the grand jury what he’d helped do to her, all the more powerful. While his kindness snuck out throughout his time with Monica, Hanks’s positioning of Emmick as a real person, both sympathetic and cruel, both good and bad, was palpable. As Emmick played “good cop,” Hanks made Emmick’s soft spot for Monica’s dire situation clear and showed how torn he was between two different causes he believed in. Hanks took what could have been a mostly ignorable role of someone further victimizing an already vulnerable young woman and played it as a comforting figure among villains. Like a tour guide, he led viewers (and Monica) through a claustrophobic, anxiety-inducing bottle episode (Episode 6, "Man Handled") and acts as a kind of spokesperson for those hanging Monica out to dry in spite of themselves. Colin Hanks’s portrayal of prosecutor Mike Emmick offered a look at someone both empathetic and on the wrong side of history.